[tps_footer]Karle Pyaar Karle is a prefect example of how a good story with no screenplay and an equally bad direction can look on celluloid.

The story though has the old 80’s formula of separated childhood friends, Kabir (Shiv Darshan) and Preet (Hasleen Kaur) who meet after a decade and find themselves drawn to one another. They play truth or dare games that turn out to be perilously dangerous.

The story begins with an eight year old Kabir, indulged in an act that leads him to the doors of a juvenile home. In a bid to protect Kabir, his mother decided to leave town to escape the harsh punishment. After travelling from one city to another for twelve years, the family returns to their hometown where Kabir and Preet reconnect.

On one hand Preet feels that they are ill fated and should never be together, but then Kabir feels that only if they are together, will they survive.

Karle Pyaar Karle has been lavishly mounted as it is Shiv Darshan’s launch pad, and his father who is also the producer Suneel Darshan has tried all that he could to make his boy look good, but unfortunately Shiv has fallen flat.

Characters in the film fail to cast any impression.  Starting from Kabir’s parents, to Preet’s mother, the band man DG who owns a meat factory, his spoilt son Jazz and last but not the least Jazz’s sidekick Goldie, are all caricatures and make a fool of themselves on screen.

Director Rajesh Pandey, who was the Associate Director to Suneel Darshan in Barsaat, needs to go back and learn his basics. One look at the film and you can make out that he has no control over the script, or the actors or even the way the film has been executed.

The film is full of obscenity and the kissing scenes, something that looks forced and were totally not required.

WATCH TERI SAASON MAIN FROM THE FILM AND GET CHOCKED:
At the end of it, Karle Pyaar Karle is a desperate attempt of father Suneel Darshan to introduce his son to the fraternity. More than a film, it is a SHOW REEL of Shiv Darshan, which tells us that he can ride, fight, romance but cannot act and has two left feet.

One needs to give credit to one thing, to the makers that they have stuck to the byline of the film: Will They Dare To Love, because post the film the viewers would definitely say: Will You Dare To See This Film.

Rating: * (For the lovely Hasleen Kaur)[/tps_footer]